Hester
Street
Jetlag
jaded, we emerge from our bolthole,
our
first destination the Lower East Side,
New
Zealand, Tahiti, Pacific atolls,
memory-blurs
like Las Vegas’ moon-bright neon
seen
from the dirty, half-empty plane,
anything
better than the moral past.
From
jealousy to the land of movies.
Our
employers, Camp America, don’t show,
so we
pilgrims venture from Newark airport.
Our
backpacks, bus and subway stares,
abrade
my scarred self-consciousness.
With
this woman, so young, her beautiful hair,
my
unedited heart pulses for all to see.
On the
train, newspapers in four languages.
I
wanted to share an arthouse cinema
so had
taken her to see an old movie
about
embattled people making fresh starts,
a dream
I shall never quite realise.
Still
cringing from the hounds of disapproval
we
discover the movie’s locale
as if
entering a teeming street masquerade.
Information
seekers, we attract curiosity.
Feeling
like extras in our own movie
imitating
another customer’s lunch order,
our
accents hush a noisy, crowded deli
like a
poised knife-trick artist in a circus.
Eating
under the ornate street sign
I
can’t, don’t want to, believe we shall fail.
(A note on the poem: When I remarried, to a
much younger woman from a different background, we encountered hostility from
both families so temporarily fled to America where everything seemed like a
movie. Many years and four tall sons later we are still together. ‘Hester
Street’ was the arthouse movie’s title.)
Ian C Smith’s work has appeared
in Axon: Creative Explorations, The Best Australian Poetry, London Grip,
Poetry Salzburg Review, Quarterly Literary Review Singapore, The Weekend
Australian & Westerly. His latest book is Here Where I Work, Ginninderra Press (Adelaide). He lives in
the Gippsland Lakes area of Victoria, Australia.
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